Thursday, 19 June 2014

DAVID BOWIE & BOB DJUKIC

Bob Djukic is one of the most experienced and successful sellers of rare vinyl on eBay, who - as he puts it - makes a 'good-faith effort to provide only genuine, authentic items'.

At the moment, however, he is stumped: he is selling what he believes to be 'THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING' of David Bowie's Man Who Sold The World LP, and - as such - 'a legitimate, official release'. Unfortunately, as he points out, it has been counterfeited in its time. After what must have been extensive and scholarly research, drawing on his decades of experience in the rare vinyl business, he's billing his item as 'INSANELY RARE', but adding the caveat 'WE ATTEMPTED TO CONFIRM THE GENUINENESS AND AUTHENTICITY OF THIS PRESSING, BUT WE ARE NOT 100% SURE.'

Of course, were he to list it as a '1980s COUNTERFEIT' it would reach perhaps $50 - that is, if eBay even allowed the auction to proceed. But if the high bidder thinks it's original... well, that sum could easily reach $2000 - and that's not money Bob'll be returning if it does indeed turn out to be fake ('No returns, refunds or exchanges on this item').

Several people have emailed him, and - being the open, even-handed kind of dealer that he is - the correspondence can be seen at the foot of the listing. Oddly, he tells one correspondent that he has 'no point of reference' as to whether or not this copy is original, though when he sold one in 2011 (as visible on popsike.com)  he raised no doubts as to its being authentic, stating: 'THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING'.

Posted below is the link to his current auction, and the label for the copy he's selling. Below that is the label to a copy whose authenticity is in no doubt (right down to the well-known 'Tonny Visconti' spelling error that the first batch of UK originals carried, and 'P 1971' test to the left of the label - on Bob's copy it apparently says 'R 1971', in keeping with a blunder on counterfeit copies, though a blemish seems to be making the downstroke of the R look like a P). Either way, it occurs to me that a dealer who's 'NOT 100% SURE' as to whether he's selling a counterfeit or an original of a major rarity can't be expected to know his stuff elsewhere. What do you think?

http://www.ebay.com/itm/DAVID-BOWIE-MAN-WHO-SOLD-WORLD-ULTRA-RARE-ORIG-UK-LP-WITHDRAWN-DRAG-COVER-/161335258312?pt=Music_on_Vinyl&hash=item259054acc8



UPDATE: The auction has now ended, and Bob raked in an impressive $328.99 for his LP. Despite a blizzard of comments both via eBay and elsewhere online, he stoutly maintained until the end that 'I reserve my judgment on the authenticity of this item'. He substantiated his position by adding that 'Minor variations in color, shade, hue, texture and overall appearance of the covers are not only NOT an aberration in the record-making business, they are absolutely a NORM.' Under further questioning, he would only offer the following: 'I would prefer to neither speculate, nor comment. The item is sold as-is, no guarantees offered or implied.' Quite what evidence he was awaiting whilst he reserved his judgment is impossible to say. In any case, the inescapable conclusion is that any halfway serious dealer who can't tell a counterfeit copy of this album from an original is a joke - and, indeed, this listing has made Bob a laughing stock.

SECOND UPDATE: the Thin White Djuke has relisted the LP because - in his inimitable words - 'THE PREVIOUS WINNING BIDDER ACTED IN PATENTLY BAD FAITH AND WITH PREMEDITATED INTENTION OF SABOTAGING THE OUTCOME OF THIS SELLER'S PREVIOUS AUCTION'. Because he always acts in good faith, he adds that 'COUNTERFEIT COPIES OF THIS ALBUM ALLEGEDLY EXIST', and that 'IN A HIGHLY UNLIKELY CASE THIS ITEM IS NOT GENUINE, IT COULD STILL HOLD GREAT VALUE FOR THE BOWIE COLLECTOR AS A VERY FINE AND HIGHLY DETAILED AND ELABORATE REPLICA.' He also makes it clear that he will not stand for any further abuse of the sort he received last time around. Unlike selling potentially fake copies of his albums and calling them 'INSANELY RARE', Bob is quite clear that this sort of behaviour 'BRINGS GREAT DISCREDIT TO ANY BOWIE FAN'. Cheers!

http://www.ebay.com/itm/DAVID-BOWIE-MAN-WHO-SOLD-WORLD-ULTRA-RARE-ORIG-UK-LP-WITHDRAWN-DRAG-COVER/161348373626?_trksid=p2047675.c100005.m1851&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D23772%26meid%3D7892484198372988303%26pid%3D100005%26prg%3D10164%26rk%3D1%26rkt%3D6%26sd%3D351104272352&rt=nc#ht_15130wt_610

Tuesday, 27 May 2014

NICK DRAKE: 'a remarkable find'

Very little Nick Drake memorabilia has ever surfaced - no signed LPs, no promo photos, no shop posters and no acetates. However, this month an eBay seller named Phil Jones - username pctc01 - listed what he described as 'a remarkable find': the first Drake acetate ever known to exist, let alone reach the market. By way of provenance, he stated that 'the disc was purchased along with a large collection of mid 1960's to 1973 Folk , Rock , Blues LP collection [sic]'.

While the details he offered were sketchy, he did reveal that it consisted of five tracks: Way To Blue, Three Hours, two that 'I do not recognize' and a brief instrumental that he described as 'a short 3/4 time signature [sic] with the sixth string dropped to D'. He went on to suggest that 'an approximate date for this disc is around 1968 / 1969. By the sound of the disc the tracks are early, but near complete... very clear one mic recording.'

Clearly used to time-wasters, he concluded his description by stating 'I would prefer to sell to a genuine collector, so any of the usual 'have you got a buy it now' emails from 'dealers' will be ignored. But genuine collectors are very welcome to email questions.' Regarding myself as such, I promptly sent him the following message: 'Hello, what a lovely looking item! I am a serious collector and have a couple of questions:  1) is it 100% definitely a 60s artefact and not a clever fake?  2) can you give any clues as to what the two non-5LL songs might be called? Many thanks.'

Answer came there none - and no one I know received an answer to similar enquiries. I emailed Nick's delightful sister Gabrielle to see if she remembered the disc. She didn't, and added: 'I cannot quite think of the circumstance that would lead Nick to go into a local Stratford on Avon recording studio, when he was quite proficient and used to recording himself on cassette. Is there any way of finding out who FA Burchell were and when they were in business? (I can find no mention of them on the internet.)'

Unfortunately, no such info was obtainable, and in the absence of detailed information, decent-quality images or soundclips from the seller, I did not bid. It ended up fetching £3211. Perhaps the lucky high bidder will share the music on it in due course. Certainly Nick's estate are extremely interested in it, and in any similar acetates that might turn up from the same source. 

Friday, 20 December 2013

THE ORANGE COUNTY THREE

Attempting to marry the sophistication of Playboy and Esquire to the countercultural appeal of the underground press, Cheetah only managed eight issues (October 1967 to May 1968). It was mocked by the cognoscenti at the time for striving too hard to be hip (worst of all 60s crimes!), but it stands up well. This largely owes to its music articles, such as Jules Siegel’s fabled ‘Goodbye Surfing, Hello God’ interview with Brian Wilson (October 1967) and an interview with Curt Boettcher about the occult (April 1968). In addition, its record reviews by Peter Winkler (including what seems to be the only contemporary assessment of Safe As Milk, which he loved) are among the most perceptive of the period.

The January 1968 issue included a triple portrait by Tom Nolan of the so-called 'Orange County Three' - Jackson Browne, Tim Buckley and Steve Noonan - who were considered to have equal promise at the vanguard of the emerging confessional singer-songwriter movement. Today, of course, they are respectively a star, a cult hero and a footnote. The article is often referred to, but hasn't been available online before, so here goes.

Thursday, 14 November 2013

FLASHBACK Issue #4

I'm delighted to announce that Flashback #4 will be available as of December 11th, and can be bought here.   TREES are on the cover, and the accompanying feature includes full interviews with all the members, as well as several other figures close to the band. Also included are scoops on cult psych bands Mandrake Memorial, July, Fraction and Wilkinson Tri-Cycle, a powerful memoir by Beverley Martyn of her interrupted musical career and troubled marriage, a jukebox from witch-rockers Blood Ceremony, a personal tour through Peter Eden's many classic productions, part two of Patrick Lundborg's investigation into mono v. stereo mixes, a guide to 'proto-punk' records, 50 intriguing LPs in the notorious Exploito genre, a history of the rare Go newspaper, and in-depth music / book reviews, with rare / unseen images and vintage music paper reprints throughout. Enjoy!  

Wednesday, 9 October 2013

DUNCAN BROWNE Portrait Of The Artist As A Young Man

Few hard facts are available about this interesting singer-songwriter, whose debut album, August 1968's Give Me Take You, is one of the rarest of the period. This gratifyingly detailed interview appeared in the first issue of the surpassingly obscure and short-lived British pop journal Strange Days in September 1970, and is reproduced here for the first time. Enjoy!

Wednesday, 15 May 2013

FLASHBACK ISSUE #3

I'm delighted to announce that Flashback #3 will be available as of May 21st, and can be bought here

Mighty Baby are on the cover, and the accompanying feature includes full interviews with all the members, as well as several other figures close to the band. Also included are a jukebox from Ripley Johnson of Wooden Shjips, a study by Richie Unterberger of the rock memoir industry, Patrick Lundborg on the mono v. stereo question, producer / Harvest boss Malcolm Jones on Syd Barrett and the making of The Madcap Laughs50 Overlooked Singer-Songwriter LPs, a history of the rare Top Pops newspaper, and in-depth features on the Common People, Tripsichord Music Box and more, as well as music / book reviews and plenty of rare / unseen images and vintage music paper reprints. Enjoy! 

Tuesday, 26 February 2013

FLASHBACK #2 in Shindig

Thanks to Andy Morten for this warm review in the new issue of Shindig.